DRIES VAN NOTEN 08 spring and summer lazy elegant mix and match style (Figure)

Perhaps as the designer himself puts it, men should not fear color, and his job as a designer is to incorporate these colors into masculine elements so that men no longer stand up for difficult reasons. But from the 08ss series, the material he chose was almost soft and light enough to have a few feminine qualities; the future of synthetic fabrics did not seem to be enough to bear the concept that Dries Van Noten always wanted to express. In terms of design details, although the dyeing/printing shirts can express a lazy and elegant mix and match style, the Japanese style design makes men feel overwhelmed.

Forget about hip hop in the 1980s last season, Dries Van Noten's choice to return to the inspiration of the past, or to say that he tried to go back to the mix and match, hand-embroidered, luxury court, and exotic Dries Van Noten. However, apart from the show floor (eighteenth-century Italian palace building) and the stage layout (the use of candles and chandeliers, which show a blusher-yellow color), Dessa Van Noten's signature features are slightly expressed. The 08ss series do not In keeping with the beauty of the past, it has led the audience to the “future” direction.

If the concept of "future" is inextricably linked to high-tech silver, black, white and gray, Dries Van Noten's vision is different from that of most designers. He uses a variety of colors to outline the concept of the future, including dazzling violets, pinks, aqua blues, ochre reds, and golden browns, which are dotted on the chest of a two-tone shirt and a shawl wrapped around the neck, or It is a wide-necked, tailored suit jacket that is covered with a male model on the march.

In addition to color, what else? Shawls are an indispensable item, but another Dries Van Noten's signage-printing and printing pattern-has decreased considerably during the season. Instead, a short jacket of fluorescent orange or fluorescent yellow, with a light-colored trench coat, a boxer shorts, and a bright yellow trousers with a slightly plastic feel (you'd say it's futuristic). In the twinkling of my eye, I thought that other designers jumped in and drowned in Dries Van Noten's show, but they saw Dries Van Noten in the next set of blouses and a green shawl.

Perhaps as the designer himself puts it, men should not fear color, and his job as a designer is to incorporate these colors into masculine elements so that men no longer stand up for difficult reasons. But from the 08ss series, the material he chose was almost soft and light enough to have a few feminine qualities; the future of synthetic fabrics did not seem to be enough to bear the concept that Dries Van Noten always wanted to express. In terms of design details, although the dyeing/printing shirts can express a lazy and elegant mix and match style, the Japanese style design makes men feel overwhelmed. With Dries Van Noten's own pre-show statement, "Want to blend the future and the beauty of the past," I'm afraid that the "conflict/conflict" impression left by 08ss is much more than "integration."

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