Chinese jade carving art

“We have encountered the best era of investment!” If we invest in raw materials for white jade, it is true that we have the most white, mellow, and best raw materials in history; “We have met the era of the best collection!” Investing in White Jade Art According to the product owner, it is indeed that we have the most responsible and most aesthetically pleasing artists in history. Today, our jade carvings have a "clean heart," but this open era requires the return of human nature; our jade carvings have "beautiful," but this era of development requires the infusion of art; our jade carvings have an "artistic conception." Only this realistic era requires natural space... In fact, jade carving is still a jade carving, but today's jade carving artists have engraved enthusiasm, making it more artistic, easy to play and conducive to feelings.

Wang Jinzhong of “Jing Xin” believes that a good jade carving work should not only fully highlight the material beauty of the jade carving, but also use the design and concept to express the deep content, aesthetic sense, and aesthetic value of the jade carving. In practice, he gradually realized the symbolic, inherited, and national characteristics of jade carvings, his personal happiness, his refuge against evils, his family's catastrophes, his happiness, his family's peace, his refusal to resist... and so on. These have obvious Chinese characteristics. The elements that make traditional jade carvings coexist in diversification are still favored by people. As a jade carving artist, Wang Jinzhong uses the artistic language of “element, elegance, cleverness, and net” to improve the “shape” of raw materials and enhance the “god” of the endoplasm, so that the created works can reach the realm of divinity. In the same way, the pursuit of "aesthetic and nostalgia," Wu Zuofa's flower and bird works show the wild birds in the mountains and the flowers and trees in the courtyard. The most lively, most original and most touching grass and trees, and a bird. Poultry, full of vitality and harmonious natural relations, makes the “hometown” of integrating truth, goodness, and beauty into the art world. In particular, his Qashqian works are meticulously detailed, vivid, and exquisite in craftsmanship. They are admired for playing the overall comfort, the ultimate use of skin color, and the meticulous simplicity of design. The fusion of the scenes and the deep implications are derived from Wu Zoufa’s naive sensitivity, rich emotions, and accurate performance. The "Landscape Music" of Chen Jian's "Artistic Conception" brand of mountains and rivers complement each other with a beautiful vision of the harmonious coexistence of human and nature inherent in Chinese traditional culture. The frontal designs of his works often use Yasong and cloud smoke to describe harmony and ethereality. The natural atmosphere is full of jade mellowness and card nobleness. It is self-possessed and calm, conveying the attitude of being born and living; the design of the back is usually expressed in poetry, no matter from the choice of the book body, the arrangement of the composition, the method of line processing and the engraving method. The entire work after the completion of the mature use of the traditional Yang engraved techniques, making the work more rich, "artistic" more distant, more modern aesthetic.

The "Chinese contemporary jade sculpture representative" series of books and the first "Chinese Contemporary Jade Carving figure exhibition", invites Haipai jade representative artists to display the artistic trends and technological achievements of contemporary jade carvings, and let people feel that Chinese jade carving art weather and development context.